Rachel Brosnahan is quite good here, and it’s essential, considering how she’s basically in every single frame of the film. Of course, Jean can only stay safe for so long, so she’s going to have to learn not only to defend herself, but to really come into her own. Eventually, Cal needs to figure out what’s going on, so he leaves her in the care of his wife Teri ( Marsha Stephanie Blake) and her father Art ( Frankie Faison). On the run, they hope to stay one step ahead of some dangerous folks. Under the watchful eye of Cal ( Arinzé Kene), she sets forth into the night. Eddie has disappeared and left instructions to keep his wife safe. Then, soon after, his cohorts wake her up in the middle of the night and usher her from their home. Jean knows better than to ask where the infant came from, as Eddie’s dealings do not seem to be legal. The couple have apparently wanted a child for some time, and now they have one. First, her husband Eddie ( Bill Heck) comes home one day with a baby. Set in the 1970s, we meet Jean (Brosnahan) just as her life is about to change. Rachel Brosnahan and Arinzé Kene star in I’M YOUR WOMAN While some may find the pacing a little slow, or the ultimate wrapping up of the plot a little too neat, but that pales in comparison to the central performance on display. It’s really a treat to watch.Ĭrime dramas or thrillers of this ilk are almost always male focused, so the gender swap offers up a lot of opportunities. However, we almost never see what they actually go through, let alone follow them as they grow into more three-dimensional human beings. The wife who stays silent while the husband is up to potentially nefarious deeds is a trope, to be clear. I’m Your Woman has the nifty concept of following the sort of character who’s usually an afterthought in genre fare. Amazon Studios may not quite have an Oscar player on their hands, but it’s a rock solid film that’s well worth seeing. The more you see of this movie, the more you want to see, and that’s a real ace up its sleeve. Moreover, she’s got Rachel Brosnahan in the lead role, delivering a compelling performance that quickly ropes you in. With I’m Your Woman, Hart has added layers, as well as subversion, to the sort of period crime drama we see all the time. Luckily, filmmaker Julia Hart is far too smart and talented for that. Do it poorly and it’s easy to spot where you went wrong. Taking on material that could, in lesser hands, feel well-worn is certainly a challenge.
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